Kurt Schwitters, Untitled (Eye on Cheese), 1944.oil, wax, plaster, cardboard box and paper on card, 21.5 x 17.5 cm

Kurt Schwitters
Untitled (Eye on Cheese), 1944.
oil, wax, plaster, cardboard box and paper on card, 21.5 x 17.5 cm

rayjohnsonestate:

Untitled (Double Andy with Nail Polish Model) by Ray Johnson, 1977.

rayjohnsonestate:

Untitled (Double Andy with Nail Polish Model) by Ray Johnson, 1977.

havesexwithghosts:

Sigmar PolkeWürstchen 1964 49 x 57,5 cm Paint on canvas

havesexwithghosts:

Sigmar Polke
Würstchen
1964
49 x 57,5 cm
Paint on canvas

uncertaintimes:

Remedios Varo, Naturaleza muerta resucitando, 1963
killthecurator:

Tomory Dodge

killthecurator:

Tomory Dodge

blastedheath:

Francis Alÿs (Belgian, b. 1959), Untitled, 1994. Colour wax on canvas on wood

blastedheath:

Francis Alÿs (Belgian, b. 1959), Untitled, 1994. Colour wax on canvas on wood

Georgia O’Keeffe,The Lawrence Tree, 1929.as correctly oriented (it is often displayed upside down)

D.H. Lawrence had a ranch near Taos which O’Keeffe often visited.  In O’Keeffe’s own words:"…There was a long weathered carpenter’s bench under the tall tree in front of the little old house that Lawrence had lived in there. I often lay on that bench looking up into the tree…past the trunk and up into the branches. It was particularly fine at night with the stars above the tree."Mistakenly hanging the painting with the perspective of facing the tree and looking up dates back to the 1930s, when O’Keeffe first wrote to exhibition officials to advise of the error. (source)

Georgia O’Keeffe,
The Lawrence Tree, 1929.
as correctly oriented (it is often displayed upside down)

D.H. Lawrence had a ranch near Taos which O’Keeffe often visited.  In O’Keeffe’s own words:

"…There was a long weathered carpenter’s bench under the tall tree in front of the little old house that Lawrence had lived in there. I often lay on that bench looking up into the tree…past the trunk and up into the branches. It was particularly fine at night with the stars above the tree."

Mistakenly hanging the painting with the perspective of facing the tree and looking up dates back to the 1930s, when O’Keeffe first wrote to exhibition officials to advise of the error. (source)

blastedheath:

Jean Lambert-Rucki (Polish, 1888-1967), ‘La Galupe’, 1921. Oil on cardboard, 55 x 63 cm.

blastedheath:

Jean Lambert-Rucki (Polish, 1888-1967), ‘La Galupe’, 1921. Oil on cardboard, 55 x 63 cm.

otherartistsworks:

#detail #art #newwork #balance #ngaiolenz #oilpaint #scratched #surface 152 x120cm on canvas

otherartistsworks:

#detail #art #newwork #balance #ngaiolenz #oilpaint #scratched #surface 152 x120cm on canvas

sundegai:

Wladd Muta…The Secret Dreams of the the Black Beehive - Third extraction…2013
(from forthcoming book and music project, Wladd Muta with Nico Guerrero Vortex)

sundegai:

Wladd Muta…The Secret Dreams of the the Black Beehive - Third extraction…2013

(from forthcoming book and music project, Wladd Muta with Nico Guerrero Vortex)